《滋生在尾房的》“Breeding in the Last Room”

日期
28/07/2018 - 11:00 - 26/10/2018 - 19:00
地址
1a space
香港九龍土瓜灣馬頭角道63號 牛棚藝術村14號

(Please scroll down for English)

《滋生在尾房的》多媒體藝術展

地點:1a空間多用途室(香港九龍土瓜灣馬頭角道63號牛棚藝術村14號)

第一篇 一個古銅色的午睡
Artist: untrou-art
日期: 28/07-26/08/2018

第二篇 The Darkening Planet
Artist: 廖偉棠
日期:01/09-23/09/2018

第三篇 在某刻把某物放入某處
Artist: 陳拍岸
日期:29/09-26/10/2018

展覽簡介

「 但是,在不欲其密封全暗時,依然會想像,將有三篇『故事』滋生在尾房。」

本次展覽由untrou-art策劃,展出三組藝術家untrou-art,廖偉棠和陳拍岸的作品,以三篇獨立「故事」組成一本隱形的「書」。而三篇獨立「故事」是由「文本」組成。展覽作品,由源頭(原作或書本原型或完整論述)脫離而散成名字、片語、裝置、影像、聲音、攝影、物件、繪畫等, 在一個多維度的空間,各種類型的創作,互相遊移、混合或衝突。最終, 沒有了一種起源,只有這些去中心化的難以歸類的作品。它們各自成為自身的文本。

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展覽活動

開幕分享會: 28/7/2018 下午2時30分
開幕聚會: 28/7/2018 下午5時 (歡迎攜酒水參與)
與會者: untrou-art : 夏芝然(策展人)、高展毅(藝術家)

詩音樂:25/9/2018 下午5時
嘉賓:廖偉棠(詩人、攝影家)、高展毅(藝術家)

分享會: 29/9/2018 下午2時30分
對談者: 陳拍岸(藝術家)、夏芝然(策展人)

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策展資訊
策展人:夏芝然
策劃:untrou-art
策展助理:陳嘉欣
合辦:kubrick 和1a space

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《滋生在尾房的》 ╴╴一本隱形的「書」

策展人語
夏芝然

自序

想像著尾房在發生什麼事情?事實上,除了細小、悶熱外,可能就是無事發生。不動聲色的。
尾房,彷彿就是可有可無的尾巴,在正統(正式)之外或之前,臨時的,漂移的一個暫住地。
一個小空間,它並非就是全然災難或是苦難的,它有其多樣性,安靜地滋生著什麼,直到有人將其密封為罐頭。
但是,在不欲其密封全暗時,依然會想像,將有三篇「故事」滋生在尾房。

目錄

第一篇 一個古銅色的午睡 untrou-art /創作

第二篇 The Darkening Planet 廖偉棠/創作

第三篇 在某刻把某物放入某處 陳拍岸/創作

後記

1. 展覽的結構:由三篇獨立「故事」組成一本隱形的「書」。而這三篇獨立「故事」是由「文本」組成。

2. 展覽的概念:「文本」。作品,由源頭(原作或書本原型或完整論述)脫離而散的,名字、片語、裝置、影像、聲音、攝影、物件、繪畫等, 在一個多維度空間,各種類型的寫作或創作,互相遊移、混合或衝突。最終, 沒有了一種起源,只有這些去中心化的難以歸類的作品。它們各自成為自身的文本。

第一篇 一個古銅色的午睡,衍生於《慾望之狗》裡的小說標題。
第二篇 The Darkening Planet,攝影集《微暗行星》的英文名字。
第三篇 書和片語成為視覺作品的一種媒介。或是視覺作品就是另一個故事。

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藝術家及策展人簡介

untrou-art
法語,意味「黑洞」。untrou-art,黑洞藝術,香港獨立藝術團隊,現核心成員夏芝然、高展毅。 2013 年開始, untrou-art 遊走揉合藝術和文學, 策劃藝術項目和展覽 , 同時進行創作。目前,以跨媒介創作方式, 探索城市、空間和人之間的關係, 策劃的展覽不僅限於美術館或畫廊, 還在非正式場所/城市空間/網絡上發生。
策劃【把你吃掉﹣當念頭是漩渦】、【一條逃逸的路線】、【誰吃掉你的邊界】、untrou-art網絡及現場展【家,是一個展覽場所】、【香港是一座當代美術館 N個關鍵詞】、【囤積物,及其節外生枝的】等11個展覽。

夏芝然
香港作家、 獨立策展人。
至今出版了9本小說。2011 年開始,嘗試書寫打破常規小說載體的迷你小說。 迷你小說《甜美黑洞》 (夏芝然X 夏力)、《異色的橙》、《欲望之狗》(新作)。至今策劃了11個展覽。

高展毅 (小高)
香港藝術家,跨媒介創作,包括繪畫、裝置、新媒體以及聲音等。untrou-art 成員,策劃參與untrou-art的藝術項目。《一團東西》畫作系列為2012年香港當代藝術雙年展入圍作品。近年主要參展、策劃untrou-art展覽 。

廖偉棠
詩人、作家、攝影師。
1975年出生於廣東,後移居香港,並曾在北京生活5年。
曾獲香港文學獎雙年獎,臺灣時報文學獎,聯合報文學獎等,香港藝術發展獎2012年度最佳藝術家,2011年臺北國際詩歌節、2013年鹿特丹國際詩歌節等受邀詩人,2014年任西九自由野藝術節策展人(文學部分)。
近作有詩集《春盞》和《後覺書》、攝影集《微暗行星》和《尋找倉央嘉措》等。
曾獲邀參與2011年連州國際攝影節、2012年香港國際攝影節以及多個攝影、藝術聯展(北京、廣州、香港等地),亦舉辦多個攝影個展。

陳拍岸
1988年生於廣州。2013年畢業於廣州美術學院雕塑系,目前工作生活於廣州。其作品多以文字圖像結合的形式出現,創作媒介涉及繪畫數碼圖像及影像等。廣告公司,裝潢公司和快時尚公司的工作經歷,使他格外關註消費世界中廣告和包裝圖像下商品與人的互生關係。陳拍岸的作品具有強烈的詼諧視覺語言和邏輯。
主要參展經歷有【陳拍岸、黃永生、伍思波三人展】2018、【深港城市建築雙年展】2017、【所見非所見】2017、【畫內音】2017、【第三屆CAFAM雙年展】2016、【西岸藝術與設計博覽會】2016、【出了廣東的雞不是雞】2016、【場域的毛細管】2016、 【機構生產——廣州青年當代藝術生態考察】2015等。

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“Breeding in the Last Room” Multimedia Art Exhibition

Venue: 1a space (Multi-purpose Room)

Chapter One. A Bronze Nap
Artist: Untrou-art
Exhibition Period: 28 July - 26 August 2018

Chapter Two. The Darkening Planet
Artist: Liu Wai-tong
Exhibition Period: 1 - 23 September 2018

Chapter Three. Put Something Somewhere at a Certain Time
Artist: Chen Pai-an
Exhibition Period: 29 September - 26 October 2018

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Exhibition Introduction

"However, if you don’t want it to be completely closed and dark, you can still imagine. Imagine there will be three stories breeding in the last room."

Curated by untrou-art, this exhibition attempts to present an invisible book which is composed of three independent stories, featuring the works of untrou-art, Liu Wai-tong and Chen Pai-an. The stories will be made of “text”.

Exhibition works are broken from origins (original work, prototype or a complete discourse) into pieces of name, phrase, installation, video, sound, photo,object and painting,etc. They flow, combine or are against each other in a multi-dimensional space. At last, there are no origins but works which are decentralized and cannot be classified clearly. They become their own “text” .

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Exhibition Events

Opening Sharing Session: 28 July 2018 | 2:30pm
Opening Reception: 28 July 2018 | 5pm | Welcome to bring your own drinks
Guests: Cat Ha (Curator) | Siu Go (Artist)

Poetry and Music: 25 September 2018 | 5pm
Guests: Liu Wai Tong (Poet) | Siu Go (Artist)

Sharing Session: 29 September 2018 | 2:30pm
Discussants: Chen Pai-an (Artist) | Cat Ha (Curator)
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Curatorial Information

Curator: Cat Ha
Curation: Untrou-art
Curatorial Assitant: Myra Chan
Organizer: kubrick and 1a space
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Breeding in the Last Room: An Invisible “book”
Curatorial Statement
Cat Ha

Prologue

What will happen in a small room at the end of a place? Besides small, hot and stuffy, perhaps nothing happens. Still and silent.
The last room acts like a dispensable tail, appearing outside or before legitimacy/ authority as a floating and temporary living place.
Actually, a small area is not necessarily disastrous or miserable. It has its diversity and breeds quietly until someone finally seal it like a can.
However, if you don’t want it to be completely closed and dark, you can still imagine. Imagine there will be three stories breeding in the last room.

Content
Chapter One A Bronze Nap | Untrou-art
Chapter Two The Darkening Planet | Liu Wai-tong
Chapter Three Put Something Somewhere at a Certain Time | Chen Pai-an

Epilogue
1. Exhibition Structure: An invisible “book” formed by three independent “stories”. The “stories” are made of “text”

2. Exhibition Concept: “Text”. Works are broken from origins (original work, prototype or a complete discourse) into pieces of name, phrase, installation, video, sound, photo,object and painting,etc. They flow, combine or against each other in a multi-dimensional space. At last, there is no origin but works which are decentralized and cannot be classified clearly. They become their own “text”.

Chapter One A Bronze Nap | Derived from the title of a story inside the novel The Desire of Dog 《欲望之狗》
Chapter Two The Darkening Planet | English Title of Liu Wai-tong’s newest Photography Book
Chapter Three Book and Phrases will be the medium of visual artwork. It is a visual artwork or a story.
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Artist and Curator Information

Untrou-art

"Un trou" literally means a hole in French. Untrou-art, Black Hole Art, is an independent art team in Hong Kong, with Cat Ha and Siu Go as the core members. Founded in 2013, Untrou-art has curated art exhibitions and projects while at the same time created art with the emphasis of literature in art.
Untrou-art is striving to create art across different mediums and forms by exploring the relationship between city, space and human. Including but not limited to art museums and galleries, Untrou-art has organized exhibitions in different “out of place” sites like city space and Internet in order to promote multimedia art.
Untrou-art has organized 11 exhibitions so far. Major exhibitions: “You were swallowed-When the idea was a whirlpool”(Redtory, Guangzhou), “A path to escape” (PuGallery, Guangzhou ), “Who ate your border? ”( Shantou University), “Home is an exhibition space”(untrou-art, Internet exhibition, Hong Kong), “Hong Kong is a contemporary art museum - Some key words” (Tong 3 Space and Kowloon Streets, Hong Kong) , “Hoarding items, and the things bring up” (2018 Fotan Open studios, Hong Kong).

Cat Ha

Hong Kong writer and independent curator. Has published 9 novels. Starting from 2011, Cat Ha breaks the conventional form of novel and writes mini-novel. Mini-novels: Sweet Black Hole (Cat Ha X Eric co-authors), Ishoku Orange and The Dog of Desire. She has curated 11 exhibitions so far.

Kou Chin Ngai (Siu Go)

Hong Kong artist, Cross-media creation. Member of Untrou-art, has planned and participated in many art projects. Siu Go’s work “A Mass of Things” was shortlisted for nomination in Hong Kong Contemporary Art Awards 2012. He has mainly participated as artist in exhibitions and planned exhibitions for in recent years.

Liu Wai-tong

Poet, writer and photographer. Liu Wai-tong has been awarded several literary prizes in Hong Kong and Taiwan, including the China Times Literary Award, the United Daily News Award, and the Hong Kong Arts Development Award for Best Artist (Literature).
He often receives invitations to participate in local and international literary events, including Poetry International Rotterdam in 2013 and Singapore Writers Festival in 2016.
Since his debut in 1995, Liu has published 13 collections of poetry: Cherry and Vajira, The cup of spring, and Wandering Hong Kong with Spirits etc. Also he is a photographer with several works In Search of Tsangyang Gyatso Lonely China, Paris: Photos de scène sans titre etc.

Chen Pai-an

Born in Guangzhou, China, 1988. Graduated from sculpture department of Guangzhou Academy Of Fine Arts in 2013, currently based in Guangzhou. Chen Pai-an always works with digital image editing, literature, digital drawing and video. His experience of working for an advertisement company, a decoration company and a fast fashion company makes him realize symbiotic relationships among well-promoted product, perfect-rendering commercial advertisement and deluded consumer. His humorous visual language and logic brings his works a very special sense of story-telling to represent symbiotic relationships.
Major exhibition experience: "2017 Bi-city Biennale Of Urbanism / Architecture", Shenzhen, China (2017) ; "Chen Pai'an, Huang Shan, Lai Zhijie, Lai Cheuk Wah, Wen Junjie", Canton Gallery, Guangzhou, China (2017) ; "What You See Is Not What You See", Fort Mason Festival Pavilion, San Francisco, America (2017) ; "Rhythm-analysis", OCAT Library, Shenzhen, China (2017) ; "3rd CAFAM Biennale, Museum of CAFA", Beijing, China (2016) ; "2016 Westbund Art & Design", Canton Gallery, Shanghai, China (2016) ; "Aint No Chicken Outside The Canton", Reformer Space, Shanghai, China (2016) ; "Capillaries Of The Field", Museum of GAFA, Guangzhou, China (2016) ; "InstitutionProduction" Ecology Investigation of Contemporary Art of Young Guangzhou Artists", Guangdong Museum of Art, Guangzhou, China (2015)

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